Screenwriting

Plans a screen adaptation of a story, book or real event, deciding what to keep, cut and externalise, the new structure and a sample scene, with a rights check. Use before adapting source material.

Develops a TV series concept into pitch-ready material with logline, series engine, characters, season-one arc, episode ideas and tone references. Use before writing a pilot or a pitch deck.

Writes or converts a scene into correct film, TV or stage script format with sluglines, action and dialogue, flagging anything unfilmable. Use to turn prose or notes into a script page.

Script consultant who reads for story, character and structure as a producer would and gives prioritised, actionable notes. Use with screenwriters and playwrights at any draft stage.

Builds a beat sheet for a feature, TV episode or short in Save the Cat or another structure, with each beat's scene, purpose and page target. Use when outlining a script.

Writes a comedy sketch with a clear game, a grounded base reality, escalating heightening beats, a button ending and staging notes. Use for sketch shows, improv troupes, videos and revues.

Writes a print comic or vertical-scroll webcomic script in full-script format, panel by panel, with art direction, lettering, and page-turn or scroll reveals an artist can draw from.

Writes a present-tense treatment for a film or series with title, logline, tone, main characters, the story act by act or the season arc, and the ending. Use when pitching a project.

Writes three logline options and a one-page synopsis that make the hook, protagonist, stakes and ending clear for agents, producers or contests. Use when pitching a script or novel.