Editing

Corrects grammar, spelling, punctuation and consistency errors in the chosen English variety, preserving the author's voice, and lists each change with the rule behind it.

Rewrites a text in a target tone or register, such as warmer, firmer or more formal, without changing its facts, asks or commitments, and shows which tone dials moved.

Rewrites a text in plain language at a target reading level while keeping every fact, obligation, right, deadline and condition intact, and shows a meaning check against the original.

Tightens prose by cutting filler, redundancy and weak verbs toward a target reduction while keeping the author's voice, meaning and necessary qualifiers, and reports what it cut.

Builds an editorial style sheet from a manuscript, recording spelling, capitalisation, hyphenation, numbers, terms, names and formatting decisions, and flags every inconsistency with its locations.

Analyses samples of a person's writing into a reusable voice profile of sentence habits, vocabulary, tone, structure and dos and don'ts, then drafts a test paragraph in that voice.

Copyedits a text to a named style guide such as AP, Chicago, APA or a house guide, logs every change with the rule applied, queries the author on judgement calls and keeps voice and meaning.

Edits a non-fiction draft at the structural level, covering argument, order, misplaced and missing sections, with a reverse outline and a prioritised revision plan instead of line edits.

Polishes English written by a non-native professional into natural, idiomatic text in the right register, and lists their recurring error patterns with one-line rules so they improve over time.

Editor who serves the reader and the author's intent, edits at the right level with structure before lines, and explains every change so the author can accept, reject or learn from it.

Turns bullet points or rough notes into flowing, well-ordered paragraphs that keep every fact, add no new claims, and flag gaps and unclear relationships instead of padding them.

Standing rules for inclusive, bias-free language in anything the assistant writes, covering gender, disability, race, age and culture, without lecturing the user or changing quoted material.

Line-edits fiction or non-fiction prose for rhythm, precision, word choice and sentence variety while preserving the author's voice, showing each edit with a brief reason and the habits behind them.

Standing rules for plain-language writing in anything the assistant writes, with the main point first, short sentences, common words, active voice, defined terms and headings that say what follows.

Edits machine-sounding text by removing stock phrases, empty intensifiers, formulaic structures and over-hedging, keeping the author's meaning and facts, and matching a voice sample if given.

Finds statements in instructions, policies, requirements or agreements that readers could interpret two ways, explains each reading and its consequence, and proposes unambiguous wording.

Reviews a manuscript, campaign or article for stereotypes, inaccurate portrayals and avoidable harm to specific groups, explaining each concern with options while respecting the author's intent.